Netflix and Marvel is there still a relationship?

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If you've been following the news over the last 10 months or so between Marvel and Netflix you've probably come across countless articles about Disney moving forward with their own on-line streaming service. The implication is that now that Disney owns, like 60% all IP in the marketplace that they would just take their ball and go home. Which would imply that Daredevil, Luke Cage, Jessica Jones, Punisher, the Defenders and even the infamous Iron Fist would all revert back to Disney to be on their site. There are thankfully a few roadblocks to this particular plan. 

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For now it seems like Disney will not be able to actually bring the existing shows from Netflix to their streaming site because those were pre-existing deals. The other part of that is they may not really want to. First of all it's clear that Disney's streaming service is aimed solely at kids and it's doubtful they would put any films on their service that are Rated R which should provide relief for the Netflix Marvel shows as they are clearly Rated R. The next part of this conversation is whether or not they will be able to continue to create more Marvel content and that answer is also up in the air but there are some signs that it might be possible. I was encouraged a few days ago when Steven DeKnight (Daredevil, Pacific Rim & Spartacus) told an interviewer that he would love to take a crack at Moon Knight. This is a dark character that was, along with Daredevil, a part of the Marvel adult comic series Marvel Knights and would have a hard time staying PG-13 on the Disney site. This gives me some hope that not only will Netflix be able to retain the original Marvel programming they started with but may even be able to expand and add more like Moon Knight and possibly Ghost Rider, Blade and Shang-Chi. Marvel Ent. President Dan Buckley has expressed that any new projects they go for should fit the content for the networks and platforms and that includes the Disney branded service. 

I'm hoping that despite losing the other movies and TV shows on Netflix in 2019, Disney will still have a strong partnership with Netflix in the further development of more adult Marvel content. It's really a win-win for everybody. 

 

 

Spider-Man: Homecoming Gross Analysis

The Summer Box Office is finally starting to heat up after a somewhat lackluster late Winter-Spring. There were a lot of duds in there from Life to Alien: Covenant and Baywatch, as well as King Arthur, Ghost in the Shell, The Great Wall and Pirates of the Caribbean: Dead Men Tell No Tales. It’s clear that people want quality over quantity. Which is why Wonder Woman, Baby Driver, Get Out and Guardians 2 all scored big at the box office. Which brings us to this week’s release, Spider-Man: Homecoming. I had a chance to see the movie a bit earlier, and I’m not parsing my words here when I say - BEST SPIDER-MAN MOVIE - so far. And when I say BEST I mean, in my humble opinion, it rivals the best of Tobey McGuire’s Spidey. If you’re a Spidey fan through and through you probably agree that Tom Holland balances the best parts of Peter Parker and Spider-Man into the complete package. Now I promise to delve in on another post about the specifics about the movie, but today I want to take a crack at guessing the opening box office for Spider-Man and what I think it might make all in.

Let’s start with the tracking. In film distribution every film that gets released appears on tracking reports about two to three weeks before its release. Spider-Man, for instance, came on tracking at around a 15 or so and is hovering around a 24 currently, the week of the release. The tricky part about tracking is that it represents polling for first choice by the consumer. If you have a lot of movies in the field either already on screen or coming out in a week or two it can potentially take away points from any film. Because of high numbers for Wonder Woman and Despicable Me, and now War of the Planet of the Apes, it’s possible that the tracking doesn’t reflect for this week the true first choice. So it’s possible that Spider-Man very well could be under-inflated and actually be higher. It’s all kind of a gamble. Early predictions have Spider-Man opening to right around 100 million for the weekend. Not too bad, and if you were to solely base it on tracking it’s a fairly conservative number. But I don’t think that’s where this film is. I’m going to take it a bit higher. I think because the film is currently fresh at 92% on Rotten Tomatoes and is garnering much early love from fans that I think it’s going to reach about 125-130 for the weekend. Which would be an improvement from Amazing Spider-Man 2 back in 2014 which opened to 91.6 million.

Now it is possible that some of the wind in Spidey’s sails has dwindled as this is the third incarnation of the superhero in as many years. But I would say Captain America: Civil War, which introduced this new Spidey last year is proof that Spider-Man is still a major draw. Spider-Man was considered one of the best parts of Civil War and I think, for fans, showed that Spidey would make a huge impression in the MCU (Marvel Cinematic Universe.) This is also the perfect timing for a film of this type, a giant blockbuster, in the heart of summer after two very equally successful and well done Super Hero blockbusters in Wonder Woman and Guardians of the Galaxy 2. I think it helps Spidey that other closer big budgeted flicks like Transformers and The Mummy underperformed. With strong dramas like Apes and Dunkirk soon to follow it could also keep Spidey afloat as those two films seem fantastic, but also very bleak. Apes should be a big grosser but I think with the dark tone it will have a much more limited audience than Spidey. The same might be said about Dunkirk as well as it has already garnered mixed reviews. War movies are always tough especially in the summer but what makes this one even more difficult, at least in the states, is the very British narrative. These types of films usually do very minimal in the U.S., so it will be a testament to director Chris Nolan if Dunkirk makes Inception or Interstellar money. So to sum up, I feel confident that Spidey will have the proper legs to get it to a strong 325-340 million all in.

Wonder Woman - Thoughts on how she makes the DCU and Superman Better

Last week Wonder Woman effectively put the DCU on a much better footing as it over-performed at the box office and thrilled fans and critics alike. I was one of those fans and I instantly got excited for the new path forward for this universe and how Patty Jenkins and Gal Gadot have put their unique stamp within the DCU. They have also smartly built a blueprint for a successful comic book dynasty, that if followed, could indeed rival the Mouse House and Marvel. If you saw the movie you are probably giving me a bit of a blank stare and saying did we watch the same movie--other than the beginning and end there was literally no real connection to the DC Universe. And you would be correct. What it did do is create a well rounded protagonist that can and will set the tone for future installments that will hopefully tie into the rest of the Justice League going forward. Gal Gadot’s Wonder Woman brought her earnest sense of right and wrong without appearing hokey and a righteousness and a naivete that was understandable and relatable. In fact she is by far the closest representation of what Superman should have been since Christopher Reeve last donned the tights.  

 The first real superhero movie that encapsulated everything that makes a comic book special: an incredible origin story, an iconic costume, an iconic soundtrack and a smart but dastardly villain who you can’t help but love. The hope and optimism of an entire generation is poured into every frame. It’s what started all of this - Superman: The Motion Picture.   The film is a bit dated at times, it was after all made in 1978, but the themes and characters still remain relevant today. In fact it holds up so well that Wonder Woman cleverly made noticeable nods to Richard Donner’s original. The prime example was the fantastic alley way scene that mirrored the stick up scene from Superman in many respects. It was a great call back. Director Patty Jenkins went even further, with her love of Superman, in her pitch to Warner Brothers for the film as she aspired to make a film full of love, humor and emotion just like Donner’s. After seeing the movie I can happily say this was a masterful success.

 Despite the bleak look through most of the film, the themes Jenkins expressed in her pitch were present throughout and allowed Gal Gadot as Wonder Woman to actually grow and become the Wonder Woman that we saw in Batman v. Superman. Her chemistry with Chris Pine was probably one of the best pairings since Andrew Garfield and Emma Stone in the last Spider-Man movies. It all seems so simple - write good characters, let them grow. This is unfortunately what was missing from Batman v Superman and Man of Steel. It’s not that Man of Steel was bad,  Henry Cavill is a great Superman, it’s just the massive misunderstanding of the character of Superman. For me it started with the Kent family. For both of those films Superman’s foster parents Martha and Jonathan, at every turn, would tell Clark to be fearful don’t use your powers or you might be discovered. Jonathan tells a young Clark that maybe he should have let a bus full of kids die to protect his secret. In one of the worst parts for me in that movie where Jonathan waves off Clark from saving his own life during a Tornado - and he lets him die. I guess that’s honoring your Father’s wishes but it’s pretty fucked up. In Batman v Superman Martha tells Clark that he can save people or not he doesn’t owe anybody anything. That’s kind of terrible, frankly and the fact that both of them espouse this thinking it’s no wonder he went nuclear on Metropolis at the end of Man of Steel. I understood in the beginning of Man of Steel why Clark felt the need to use his powers as little as possible for fear of doing more damage. But again by the end of the film he’s going full throttle against Zod cratering Metropolis. I know it became a plot point later in the sequel Batman v Superman. But to me it felt like the spectacle over the story by Snyder and it sacrifices the character of Superman as a result, to be honest.  Snyder was just looking for eye popping action scenes of destruction but not really thinking about character motivations. Which brings us to Wonder Woman in Themyscira where her mother, Hippolyta, embodies a bit of both Ma and Pa Kent but through a much better script and with stronger character development is shown why Diana must take the risk and use her powers to save others. This is championed by the wonderful Robin Wright who plays Diana’s bad ass warrior aunt. It worked so seamlessly and to watch Gal Gadot as Wonder Woman discover man’s world with its sexism, cruelty, deception and lies. To see her struggle through this but retain the inherent goodness she represents and embody the strength of love and empathy that encapsulates Wonder Woman makes my thoughts on this matter clear. Also she kicked ass with the lasso and the bulletproof bracelets. In conclusion not only should Patty Jenkins make the sequel to Wonder Woman but she needs to be given the reigns to Superman as well STAT.

Wonder Woman - Making HERstory

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I, like many others (many millions of others!) went to see Wonder Woman on opening weekend.  I could not wait.  I remember seeing re-runs of the tv show with Lynda Carter way back in the day when I was a kid and thinking...wow, a girl who is taking charge, running around and jumping in front of cars and kicking ass and saving the day!  Wonder Woman is such a positive role model for young girls, and girls of all ages actually. After seeing Batman v Superman in the theatre and then the introduction of Wonder Woman, I was spellbound by her.  A fierce, independent, confident, go-getter, no holds barred, feminine yet strong character?  SIGN ME UP.  There are not that many, if at all, female superheroes to really look up to, and this one takes the cake on all levels.  Gal Gadot gave, in my opinion, a perfectly honest and real portrayal.  So wonderfully cast.  She was so badass and it was amazing.

A few months ago I ran my 2nd ever 5k, and the theme was...dress as your favorite female movie character, and I chose her.  I actually felt fearless running that race, and that I could accomplish anything I put my mind to!  And that was to run the entire way and finish with a strong pace.  That I did :).

As I was watching the movie I couldn't help but feel so giddy and proud at seeing this type of character on the big screen.  You usually see the men fighting and saving the day and the females as the damsel in distress needing to be saved.  She didn't need to be saved.  She was doing the saving.  Throughout the entire film she was fighting for what she believed was right, and even when faced with a firm no, she did not waiver in her beliefs.  How refreshing.  When she was running thru that battlefield to save the town and the people under fire who were defending it....that was almost otherworldly!  I think my jaw was agape throughout that entire scene. The men were the ones waiting in the wings not wanting to initially push forward.  She led, they followed. Even when she was told by her American Pilot (soon to be love) Steve Trevor, "we can't save everyone," she believed she could, and she tried her damndest to make that happen.  And for little girls who are seeing this character on any type of screen for the first time...what an amazing role model to make them feel brave, confident, and fearless and believe anything is possible. So, as you can see, I loved it!  I mean, that came across, right? :).  As a whole I really loved the film.  Great acting, story, effects, character development, and Gal Gadot and Chris Pine had tremendous chemistry. Not to mention I loved the humor element throughout.  It was such a fun ride!

It truly was so exciting and inspiring watching this character take charge and do so without regret.  My fists were pumping and I was cheering her on the entire way....albeit quietly because I was in a movie theatre filled with people.  Ok, so I did make some audible gasps and oohhs and aahhs.  And yet, she still had that soft side to her that is also so relatable...as in the end she states..."It's about what you believe. And I believe in love."  - J. Solo