Last week Wonder Woman effectively put the DCU on a much better footing as it over-performed at the box office and thrilled fans and critics alike. I was one of those fans and I instantly got excited for the new path forward for this universe and how Patty Jenkins and Gal Gadot have put their unique stamp within the DCU. They have also smartly built a blueprint for a successful comic book dynasty, that if followed, could indeed rival the Mouse House and Marvel. If you saw the movie you are probably giving me a bit of a blank stare and saying did we watch the same movie--other than the beginning and end there was literally no real connection to the DC Universe. And you would be correct. What it did do is create a well rounded protagonist that can and will set the tone for future installments that will hopefully tie into the rest of the Justice League going forward. Gal Gadot’s Wonder Woman brought her earnest sense of right and wrong without appearing hokey and a righteousness and a naivete that was understandable and relatable. In fact she is by far the closest representation of what Superman should have been since Christopher Reeve last donned the tights.
The first real superhero movie that encapsulated everything that makes a comic book special: an incredible origin story, an iconic costume, an iconic soundtrack and a smart but dastardly villain who you can’t help but love. The hope and optimism of an entire generation is poured into every frame. It’s what started all of this - Superman: The Motion Picture. The film is a bit dated at times, it was after all made in 1978, but the themes and characters still remain relevant today. In fact it holds up so well that Wonder Woman cleverly made noticeable nods to Richard Donner’s original. The prime example was the fantastic alley way scene that mirrored the stick up scene from Superman in many respects. It was a great call back. Director Patty Jenkins went even further, with her love of Superman, in her pitch to Warner Brothers for the film as she aspired to make a film full of love, humor and emotion just like Donner’s. After seeing the movie I can happily say this was a masterful success.
Despite the bleak look through most of the film, the themes Jenkins expressed in her pitch were present throughout and allowed Gal Gadot as Wonder Woman to actually grow and become the Wonder Woman that we saw in Batman v. Superman. Her chemistry with Chris Pine was probably one of the best pairings since Andrew Garfield and Emma Stone in the last Spider-Man movies. It all seems so simple - write good characters, let them grow. This is unfortunately what was missing from Batman v Superman and Man of Steel. It’s not that Man of Steel was bad, Henry Cavill is a great Superman, it’s just the massive misunderstanding of the character of Superman. For me it started with the Kent family. For both of those films Superman’s foster parents Martha and Jonathan, at every turn, would tell Clark to be fearful don’t use your powers or you might be discovered. Jonathan tells a young Clark that maybe he should have let a bus full of kids die to protect his secret. In one of the worst parts for me in that movie where Jonathan waves off Clark from saving his own life during a Tornado - and he lets him die. I guess that’s honoring your Father’s wishes but it’s pretty fucked up. In Batman v Superman Martha tells Clark that he can save people or not he doesn’t owe anybody anything. That’s kind of terrible, frankly and the fact that both of them espouse this thinking it’s no wonder he went nuclear on Metropolis at the end of Man of Steel. I understood in the beginning of Man of Steel why Clark felt the need to use his powers as little as possible for fear of doing more damage. But again by the end of the film he’s going full throttle against Zod cratering Metropolis. I know it became a plot point later in the sequel Batman v Superman. But to me it felt like the spectacle over the story by Snyder and it sacrifices the character of Superman as a result, to be honest. Snyder was just looking for eye popping action scenes of destruction but not really thinking about character motivations. Which brings us to Wonder Woman in Themyscira where her mother, Hippolyta, embodies a bit of both Ma and Pa Kent but through a much better script and with stronger character development is shown why Diana must take the risk and use her powers to save others. This is championed by the wonderful Robin Wright who plays Diana’s bad ass warrior aunt. It worked so seamlessly and to watch Gal Gadot as Wonder Woman discover man’s world with its sexism, cruelty, deception and lies. To see her struggle through this but retain the inherent goodness she represents and embody the strength of love and empathy that encapsulates Wonder Woman makes my thoughts on this matter clear. Also she kicked ass with the lasso and the bulletproof bracelets. In conclusion not only should Patty Jenkins make the sequel to Wonder Woman but she needs to be given the reigns to Superman as well STAT.